Photography is a medium of vision.  Time seems to be intricate to an image. Whenever I see an image I ask myself whether that image would be the same at any other point in time. I’ve never been able to fully answer this question, but I’ve pondered many ways in which to observe it. When given the opportunity of a project of my own, I wanted to study more than the aesthetics of an image. I wanted to indulge in the opportunity and compose images that were not so singular. I aimed to create images that were schematic and conjoined to convey a concept. This study is a study of how one can see from various vantage points and periods of time.

I carried my camera with me everywhere while I walked around the city of Chicago. I’m  a very observant person so I focused on visual problems I would encounter.  For example I would see a subject, then a subject within that subject. I would also see movement that seemed to create a puzzle piece. I experimented with what I saw and how my eyes would focus on it. The more obvious movement was often not even purposeful. I would begin photographing a landscape or single subject and then movement would become a part of the image. A runner would jog by, or a child would appear. I also created movement. The photos ascend in how my eyes and lense captured them and how I wanted their movement to come across to their viewer. In conjunction with vantage point,movement is a very important element to how the photos are composed and arranged.